GoodCleanWholesomeFun


GCW Fun is the quick-witted, energetic, happy go lucky younger sibling of DrHGuy's jocose but prolix, sometimes abstruse Heck of a Guy blog

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Mar 10, 2008 6:56am
Dancers in the Crowd Bring Back ‘Thriller’ - New York Times It is exciting to realize that video carmera gear and editing software are becoming so incredibly sophisticated and, simultaneously, so much simpler to operate as well as less costly to purchase that rank amateurs like me can now aspire to creating flicks that achieve something until now only giant, well funded operations - like Sony BMG in this case - coud produce - fake spontaneity. “In Britain, Sony BMG executives videotaped professional dancers in everyday settings — like the Tube and a Tesco supermarket.” “From their seats on the rumbling London Underground, a group of stony-faced passengers rose at random and burst into the jerky slide kick of a zombie dance before melting away without a word. The response of British passengers — stiff gazes, nervous silence and tepid applause — was, naturally, videotaped and posted online, and it quickly spun off into zombie dance sequels at the central Copenhagen train station, in Chinatown in London and on the street outside the Sydney Opera House.” Dancers in the Crowd Bring Back ‘Thriller’ - New York Times It is exciting to realize that video carmera gear and editing software are becoming so incredibly sophisticated and, simultaneously, so much simpler to operate as well as less costly to purchase that rank amateurs like me can now aspire to creating flicks that achieve something until now only giant, well funded operations - like Sony BMG in this case - coud produce - fake spontaneity. “In Britain, Sony BMG executives videotaped professional dancers in everyday settings — like the Tube and a Tesco supermarket.” “From their seats on the rumbling London Underground, a group of stony-faced passengers rose at random and burst into the jerky slide kick of a zombie dance before melting away without a word. The response of British passengers — stiff gazes, nervous silence and tepid applause — was, naturally, videotaped and posted online, and it quickly spun off into zombie dance sequels at the central Copenhagen train station, in Chinatown in London and on the street outside the Sydney Opera House.”
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